MEMORY AND MATTER
The boxes are like archives of the imaginary, in which the ‘real objects-snail shell, feathers, salt, ash – become images, (picture) through the frame, a fictional space confining the world of the visible, which is at the same time unable to renounce completely the phenomenological world.
Stella Santacatterina, Third Text, 1996
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Avis Newman (Installation, Ikon Gallery), 1996
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Avis Newman WORKS (Installation, Casa Masaccio), 1995
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Birdbox, "La Scatola Dell 'Uccello" (left), 1992; Object from Nature (right), 1986
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Bird box, "La Scatola Dell 'Uccello", 1992
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Fragment of Fragments, 1991
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1991 Dazzling emptiness. Supreme burn
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Dazzling Emptiness. Supreme Burn (left), 1991; The Salt Box (right), 1989
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As yet untitled, 1991
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...a day without a day, 1991
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The Graphite Box (Earth of Paradise), 1990
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The Graphite Box, 1990
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Through the hour-glass, 1990
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An Awful Symmetry, 1990
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Cyphers which supply a place but signify nothing, 1990
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1-32 onward, 1990
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The Salt Box (Earth of Paradise), 1990
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The Soot Box (Earth of Paradise), 1990
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The Soot Box (Earth of Paradise), 1990 (left); The Graphite Box (Earth of Paradise), 1990 (right)
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The Salt Box (Earth of Paradise), 1990 (Installation View)
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Earth of Paradise, 1990 Installation Arnolfini
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Earth of paradise I (Cool); Wood in Wood, 1990
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Wood in Wood, 1989
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The Salt Box, 1989
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Wax to feel the unwritten, 1989-90
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The Right One. The One That's Left, 1989
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The Right One. The One That's Left, 1989
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The Nudity of Ignorance, 1989
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Stone Flight, 1989
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Sixteen snail shells, 1989
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Sculpture of Essential Movement, 1989
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Boundary, 1989
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(Title unknown) No2 Snail Shells, 1989
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(Title Unknown) No1, 1989
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Unlike the walker, the dancer goes nowhere, 1988-89
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The Stuff of Dreams 1 (no longer exists), 1988-89
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The Snail, 1988
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The Snail, 1988
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Drawn from life, 1987
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Nests there are, 1986-87
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Object from Nature, 1986
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How The Heart Flutters, 1984-85